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From Dr. Matthias Nöllke (More) • Last updated on October 28.05.2022, XNUMX • First published on 01.03.2016/XNUMX/XNUMX • So far 6376 readers, 1538 social media shares Likes & Reviews (5 / 5) • Read & write comments
There are simple, but very effective, hands-on, real-world flipping techniques that help you develop a wealth of general-purpose answers that you can always fall back on. An overview.
Sometimes someone in our presence drops a “remark,” a comment that we cannot ignore, that is intended to provoke us, or we are attacked unqualified. Actually, we think in silence, the whole thing is too stupid for us.
We would prefer not to say anything about it. But that's often not a good thing Idea (Sometimes yes), because that way we leave the field to the other, the tormentor, without a fight: We are not sovereign.
In such situations, the “absurd theater” promises to be an effective remedy. In the first place, they don't get involved in an argument, but surprise the other with an absurd reaction. He has to react to this somehow, which usually overwhelms him, because he expects you to take his attack seriously or explode with anger. But you are doing something completely different.
With this, you have broken off the provocation, and embarrassed the provocateur herself without engaging in an argument and without offending him.
The principle is light to understand. You can these Technology use immediately, and she makes Fun, at least if you have a conscience Sinn for absurd comedy. Then you might get the taste of using this technique more often - which in turn is a certain danger, because the surprise effect wears off a little over time.
But just a little. Because there are infinite varieties of “absurd theater”. And someone you have sidelined with this rather gentle technique won't necessarily try to provoke you a second or third time. And if you do, then go ahead with your “absurd theater”. There is no risk of being countered.
Perhaps you know the plays by Eugène Ionesco or other representatives of the “absurd theater”. The people in these pieces have extremely strange dialogues. They express things that are unrelated to what has been said, use inappropriate polite phrases and constantly break the expectations of the audience in everything they do.
The same is true. They say something that has nothing to do with what you have said. You remain completely serious. You can talk about complete nonsense, but in the way you say it, you behave as if you were going to be normal.
There are different types of “absurd theater”. We present you two tried and tested variants.
On the surface, you behave like the “instant sentence”. You answer the attack with a sentence, a saying.
However, this is not related to the provocation and may well be nonsensical.
"The pitcher goes to the well until it breaks." - "Many dogs are the rabbit's death." - “If you don't row, you fall on the ice.” Or similar deeply digging insights.
Bernd recently started working in a department in which many Women are busy - apparently for Bernd Problem. Because he has made a sport out of provoking his colleagues with comments that he calls "politically incorrect". One morning he remarks to his colleague Carola:
"I read in the newspaper yesterday, it has now been scientifically proven that women cannot park properly." Carola replies with a smile: “What's the name of it, Bernd? Envy breeds swans from rotten duck eggs. ”
Proverbs that fit anywhere and nowhere (such as the Russian saying with the lazy duck eggs) are best suited. Because the biggest effect comes when your counterpart first frowns to think about what you just told him. It gradually dawns on him that you've picked him up.
You can also use bullhorns. For example: "Anyone digging a pit is a construction worker." Or you can think of something yourself. The only requirement: it must not fit.
If your counterpart then asks in astonishment: “What does that have to do with anything?”, look deep into their eyes Eyes and mysteriously say: "Think about it carefully." Or you just say it like it is: "Nothing."
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Dr. Matthias Nöllke studied communication sciences, politics and literature. He has been working as an author and keynote speaker for many years, including for Bayerischer Rundfunk and for numerous companies. He has published over 20 successful guides and non-fiction books at Haufe Verlag. All texts from Dr. Matthias Nöllke.
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